Concerning the In-between Comics

So, in the same vein that “Groph’s Green Wizardry” brought us from “Deep Circuitry” to “Enter Cedar”, what if we do that between “Enter Cedar” and the next project? Maybe some sort of story about the Knowledge Retention Bot (KRB)?

We first saw the Knowledge Retention Bot in my short film “The Antique Dealer”, played by my good friend Hazel Blue.

Like, I’ve got this idea of a short scene where Ian meets KRB when he’s an adult, while out on a jog. The KRB has just found information about Ian’s interactions with Squash and Gray, which is what “The Antique Dealer” was about. So then it’s a matter of going from “Enter Cedar” to “The Antique Dealer”, and then to the “Algorithm Interviews”, where the KRB is still trying to solve where the aliens are.

And then all of this leads into the next big project “Where the Highway Meets the Corridor”, which is a tangential story that involves the KRB helping a group of humans help the aliens escape from the United States government. Yeah, I think that works.

Concerning Music Selections for a Medium That Is Silent

I miss doing songs with the comics. Maybe not with every page, but every episode should have a recommended song. Because Tapas Comics had a feature where you could add a song, there’s an entire Original Soundtrack for “Deep Circuitry”.

I really enjoyed that, because most of my comic projects were meant to be either live action or animated. Overall, I really miss audio. I miss the music and working with voice actors. I miss the collaboration and the spontaneity that would come with working with others.

Groph didn’t get music accompany. When I started illustrating “Groph’s Green Wizardry”, I didn’t have any music in mind. In retrospect, I think the soundtrack for “Groph’s Green Wizardry” would just be lofi.

For “Enter Cedar”, here are my initial thoughts on a recommended song accompany.

Episode 01: Smog “In the Pines”
Episode 10: Teho Teardo & Blixa Bargeld “Hey Hey, My My”
Episode 11: Philip Glass “Tagore-Scene II”
Episode 12: Tom Waits “Come on Up to the House”

Concerning the Details

“Paying attention to things – it’s how we show love.” – The Last of Us

That quote from last week’s episode hit me hard. I’m not one for details, both in my art and my personal life. My fear of not getting things done before my focus deviates causes me to seek the fastest method to get what is in my head outside. That means skimping on the details and embracing messy.

These are lichen hounds and mushroom tripods. I’m transcribing a script that happens about 6 books after “Enter Cedar”. It’s the same sort of creatures that form the “black mold boy” and the “moldies”.